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- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- A Frame of Reference: Rosemary Dobson’s Grace Notes for HumanityEssay1 May 1981
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- True Tales and False Alike Work by Suggestion: The Poetry of A.D. HopeEssay1 October 1990
- *The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’Essay1 May 1994
- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- ‘My Little Ghost-Slave’: The Queer Lives of Rosa PraedEssay1 October 1996
- An Interview with Christopher KochEssay1 May 1997
- An Interview with Judith RodriguezEssay1 October 1997
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- An Interview with Thomas ShapcottEssay1 May 1997
- On Not Being Australian: Mudrooroo and DemidenkoEssay1 October 2004
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- Annual Bibliography of Studies in Australian Literature: 2008Essay1 May 2009
- Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary AustraliaEssay1 June 2013
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023