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- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- An Interview with Archie WellerEssay1 October 1993
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Les Murray: A Selective ChecklistEssay1 October 2001
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005