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‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Review of *Hearts and Minds: Creative Australians and the Environment*, by Michael Pollak and Margaret MacNabb

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

*Geoffry Hamlyn* and Its Australian Setting

Review of *Quintus Servinton: A Tale Founded upon Incidents of Real Occurrence* by Henry Savery

‘Talking with Yagan’s Head’: The Poetry of John Mateer

Review of *Faking Literature*, by K.K. Ruthven

The Company She Keeps: Demidenko and Imposture in Autobiography

Review of *After Electra: Rage, Grief and Hope in Twentieth-Century Fiction*, by Eden Liddelow

Future Tense: *Dead Europe* and Viral Anti-Semitism

Review of *Mudrooroo: A Likely Story*, by Maureen Clark