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Anthologies and Orthodoxies

Catherine Martin, Writer: Her Life and Ideas

Drama’s Vitallest Expression: The Fiction of Olga Masters

Marcus Clarke and the Theatre

Urban Influence on Australian Literature in the Late Nineteenth Century

Price Warung: Some Bibliographical Details and a Checklist of the Stories

Narrative Perspective and Cultural History in *Robbery Under Arms*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

My Brilliant Career and 1890s Goulburn

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

Australian Literature: Points for Departure

The Literary Reputation of Adam Lindsay Gordon

A. D. Hope and the Apocalyptic Splendour of the Sexes

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*