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- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Australian Letters and Postwar ModernityEssay1 October 2008
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- D. H. Lawrence’s AustraliaEssay1 October 1970
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Anthologies and OrthodoxiesEssay1 May 1987
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Marcus Clarke and the TheatreEssay1 May 1975
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996