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- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- The Fiction of Beverley FarmerEssay1 May 1990