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- Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’Essay1 May 1991
- Theory as Fireworks: An Interview with Brian CastroEssay1 May 2002
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Poetry, Activism and Cultural CapitalEssay1 November 2013