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Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

An Interview with Vivian Smith

Review of *Sumner Locke Elliott: Writing Life. A Biography*, by Sharon Clarke, and *Pioneer Players: The Lives of Louis and Hilda Esson* by Peter Fitzpatrick

Review of *Australian Literary Criticism—1945-1988: An Annotated Bibliography*, by Robert L. Ross.

Review of *Henry Handel Richardson: Fiction in the Making* by Axel Clark, *The Importance of Being Eve Langley* by Joy L. Thwaite, and *The Last Exquisite: A Portrait of Frederic Manning* by Verna Coleman

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Not Reading the Nation: Australian Readers of the 1890s

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Review of *London Was Full of Rooms*, edited by Tully Barnett, Nena Bierbaum, Syd Harrex, Rick Hosking and Graham Tulloch

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul Genoni

Review of *The Higher Self in Christopher Brennan's Poems: Esotericism, Romanticism, Symbolism* by Katherine Barnes

Counter-Poetics

Review of *Intimate Horizons: The Post-Colonial Sacred in Australian Literature*, by Bill Ashcroft, Frances Devlin-Glass, and Lyn McCredden

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Review of *The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry*, by David Brooks

Authors’ Statements [Peter Carey]