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Oodgeroo: A Selective Checklist

Review of *Along the Faultlines: Sex, Race and Nation in Australian Women's Writing, 1880s-1930s* by Susan Sheridan, and *Writing the Colonial Adventure: Race, Gender and Nation in Anglo-Australian Popular Fiction, 1875-1914* by Robert Dixon

Edgy Laughter: Women and Australian Humour

English Heritage and Australian Culture: The Church and Literature of England in *Oscar and Lucinda*

Writers by Accident?: Recent Stocktaking of ‘Tasma’ and Paterson

Heterotopias: Writing and Location

Person, Persona and Product: Henry Kendall and ‘Steele Rudd’

Review of *Sumner Locke Elliott: Writing Life. A Biography*, by Sharon Clarke, and *Pioneer Players: The Lives of Louis and Hilda Esson* by Peter Fitzpatrick

Review of books by Debra Adelaide, Helen Daniel, Chris Tiffin, Ken Gelder and Paul Salzman

Review *Henry Lawson, a Life* by Colin Roderick, *The Order of Things: A Life of Joseph Furphy* by John Barnes, and *The Life and Opinions of Tom Collins: A Study of the Works of Joseph Furphy* by Julian Croft

Annual Bibliography of Studies in Australian Literature: 1995

Review of *List of Australian Writers 1788-1992*, comp. by John Arnold, and *The Oxford Companion to Australian Literature*, by William H. Wilde, Joy Hooton, and Barry Andrews

Review of *Too Far Everywhere: The Romantic Heroine in Nineteenth-Century Australia*, *Seeking the Centre: The Australian Desert in Literature, Art and Film*, *The Diaries of Barbara Hanrahan* and *Woman and Herself: A Critical Study of the Works of Barbara Hanrahan*

Alan Wearne: Interview

Looking for the History in Literary History: Review of *The Oxford Literary History of Australia*

Review of *The Country of Lost Children: An Australian Anxiety*, by Peter Pierce

Theory as Fireworks: An Interview with Brian Castro

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*