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- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005