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Asian Stereotypes in Recent Australian Plays

Shirley Hazzard: Transit and *The Bay of Noon*

David Malouf’s *Child’s Play* and ‘The Death of the Author’

Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s Biography

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

‘Interest’ in Les A. Murray

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Review of books by Hal Porter, Catherine Helen Spence, Douglas Stewart and Ric Throssell

Review of *Patrick White as Playwright* by J. R. Dyce

A Note on Morris West’s First Novel

Marcus Clarke’s *Chidiock Tichbourne*

The Date of Composition of *Ralph Rashleigh*

Jennifer Maiden

*Your Friendly Fascist*

Thoughts on Some Recent Poetry

Correspondence

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Maang: Bagaan Di (a Message for My Elder Sister)

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee