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- An Interview with Gabrielle LordEssay1 October 1999
- *My Brilliant Career*: The Career of the *Career*Essay1 October 2002
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Martin Boyd: A ChecklistEssay1 October 1972
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974
- Revaluing Australian Legends: Some Plays by Jack HibberdEssay1 May 1978
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Society and Nature in Such is LifeEssay1 December 1963
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Review of *Elizabeth Harrower: Critical Essays*, edited by Elizabeth McMahon and Brigitta OlubasReview9 July 2018
- The Short Stories of Judith WrightEssay1 June 1963
- Three Talks: David Malouf, Les Murray and David Rowbotham: David RowbothamEssay1 May 1984
- Australian Novels in FrenchEssay1 October 1974
- Review of *Patrick White and Alchemy*, by James Bulman-May, and *Patrick White, Painter Manque: Paintings, Painters and Their Influence on His Writing*, by Helen Verity HewittReview1 October 2003
- Review of *Creating Frames: Contemporary Indigenous Theatre*, by Maryrose CaseyReview1 May 2005
- Review of *The Literary Larrikin: A Critical Biography of TA.G. Hungerford*, by Michael CrouchReview1 May 2007
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021