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- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- An Absence of PartisanshipReview1 May 1997
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Friendship in a Time of LonelinessEssay1 May 2009
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- The Politics of English Studies in IndiaEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013