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David Malouf’s *Child’s Play* and ‘The Death of the Author’

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Impossible Literary Histories

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

The ‘Literary Photographs’ of Henry Lawson

Kate Baker, ‘Standard-Bearer’

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Neither Here Nor There: Suburban Voices in Australian Poetry

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

My Brilliant Career and 1890s Goulburn

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Excavating a Bonanza: Sarah Campion

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts