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Miles Franklin and ‘The Survivors’

Site Unscene: Medial Ideology and the Literary Interface

Conceptualising Irish-Aboriginal Writing

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

Annual Bibliography of Studies in Australian Literature: 1988

Asia and the Contemporary Australian Novel

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

The Usable Past: Australian War Fiction of the 1950s

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

Bruce Dawe and Frank Sargeson : Speaking in Other Voices

Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*

Anthologies and Orthodoxies

David Malouf’s *Child’s Play* and ‘The Death of the Author’

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Impossible Literary Histories

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

The ‘Literary Photographs’ of Henry Lawson