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Some Mary Gilmore Letters

Last Flight to Byzantium: *Memoirs of Many in One*

The Short Story Cycles of Frank Moorhouse

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Golden Fish: On Reading J. S. Harry

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Interview with Kerry Reed-Gilbert

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

The Drama of the Separate Self in Rae Desmond Jones’ The Mad Vibe