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Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*

Mudrooroo: Crafty Imposter or Rebel with a Cause

Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and Literature

Site Unscene: Medial Ideology and the Literary Interface

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

The Fortunate Flâneuse

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

Review of *Preoccupations in Australian Poetry* by Judith Wright

Folksong - A Protest

‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and Euphemism

‘The Ram of Albury’

Xavier Herbert: *Capricornia*

Editors’ Statements [George Turner]

Authors’ Statements [James McQueen]

Miles Franklin on Dearborn Street, Chicago, 1906-15

Review of *On Dearborn Street* by Miles Franklin

The 20th Anniversary of *ALS*: Comments by A.D. Hope, Leonie Kramer and the Editor