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- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Charles Rowcroft, For ExampleEssay1 June 1966
- Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital DecadeReview1 May 1970