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From the Sudan to Saigon: A Critical Review of Historical Works

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Marcus Clarke and the Theatre

Annual Bibliography of Studies in Australian Literature: 1976

Marcus Clarke’s *Chidiock Tichbourne*

The ‘Literary Photographs’ of Henry Lawson

The One-Actor Play in Australian Drama

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Man, Work and Country: The Production of Henry Lawson

Towards a History of Literary Programming on ABC Radio

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

The Solitariness of Alex Miller