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Jolley’s Women

Review of *Securing the Past: Conservation in Art, Architecture and Literature*, by Paul Eggert

Charismatic Masculinity in David Malouf’s Fiction

Introduction: Writing Disability in Australia

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

Review of *Australian Literary Criticism* edited by Grahame Johnston

Review of *The Memoirs of James Hardy Vaux, Including his Vocabulary of the Flash Language*, edited by Noel McLachlan

The Surrender to Truth in The Early Australian Novel

Woe in the Merriment

Notes on Slessor’s ‘Five Visions’

The Prototype of Richard Mahony

Review of *Christina Stead* by R. G. Geering

Patrick White’s *The Vivisector*: The Artist in Relation to His Art

Authors’ Statements [Judah Waten]

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

A Christina Stead Letter

Marcus Clarke and the Theatre