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Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Last Flight to Byzantium: *Memoirs of Many in One*

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

An Interview with Archie Weller

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Dramatising the Self: Beverley Farmer’s Fiction

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Australian Literary and Scholarly Publishing in Its International Context

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Les Murray: A Selective Checklist

Excavating a Bonanza: Sarah Campion

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

About Face: Asian-Australians at Home

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

The Mysterious Case of Carter Brown, or, Who Really Killed the Australian Author

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor