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- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- Asia and the Contemporary Australian NovelEssay1 October 1984
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Literary Nationalism and the 1890sEssay1 May 1971
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Counter-PoeticsEssay1 June 2011
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012