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- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Alien Intoxications: The Aggressions of a Brisbane Opium SmokerEssay1 June 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Interview with Kerry Reed-GilbertEssay5 May 2016
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- First Steps toward a History of the Mid-Victorian Novel in Colonial AustraliaEssay1 May 2006
- The Drama of the Separate Self in Rae Desmond Jones’ The Mad VibeEssay1 October 1979
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- The Sources of *His Natural Life*Essay1 October 1969
- Louisa Lawson’s ‘The Australian Bush-Woman’–A Source for ‘The Drover’s Wife’ and ‘Water them Geraniums’?Essay1 October 1982
- ‘Down at the Dump’ and Lacan’s Mirror StageEssay1 October 1983
- The Public Image of John Shaw NeilsonEssay1 May 1986
- John Manifold: Poet At CambridgeEssay1 May 1988
- From Rowcroft to White: Australian Fiction in SwedenEssay1 October 1976
- Review *John Shaw Neilson* by Hugh Anderson and L.J. BlakeReview1 May 1973
- The Citizenship of Peter PorterEssay1 May 1978