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- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022
- The Making of Thomas KeneallyEssay30 May 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- [Statements about War Literature]Essay1 October 1985
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- Anthologies and OrthodoxiesEssay1 May 1987
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Jindyworobaks and AboriginesEssay1 May 1977
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973