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Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.

Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna Mead

Review of *Lohrey* by Julieanne Lamond

John Grant: Australia’s First ‘Really’ Radical Poet

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

‘That Wild Run to London’ : Henry and Bertha Lawson in England

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

‘Our Literary Connexion’: Rosa Praed and George Bentley

Bibliographic Notes on Selected Irish-Australian Writers

Patrick White’s Four Plays

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

David Campbell’s Poetic Mind

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

Family and the Father in the Poetry of Les A. Murray

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

The Fiction of Beverley Farmer

Origin, Identity and the Body in David Malouf’s Fiction

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric