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- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- An Interview with Archie WellerEssay1 October 1993
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Les Murray: A Selective ChecklistEssay1 October 2001
- Excavating a Bonanza: Sarah CampionEssay1 May 2004