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Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet

Displaced Homelands in Gerald Murnane’s *Inland*

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Irish Republicanism and the Colonial Australian Bushranger Narrative

Christina Stead’s Earliest Publications

*The Battlers*: Kylie Tennant and the Australian Tradition

Decomposing Suburbia: Patrick White’s Perversity

The Drowned World of Kenneth Slessor

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Gender Buttons

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard Mahony

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

The Historical Basis of ‘Robbery Under Arms’

Some Poems of Judith Wright

More Substance to Fisher’s Ghost?