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- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- How Australia’s Literary History Might be WrittenEssay1 May 1983
- The Fortunate FlâneuseEssay1 November 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Impossible Literary HistoriesEssay1 October 2010
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999