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- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Some Mary Gilmore LettersEssay1 October 1972
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- An Interview with Archie WellerEssay1 October 1993
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004