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- Review of *Flashing Eyes and Floating Hair: A Reading of Gwen Harwood's Pseudonymous Poetry*, by Cassandra L. AthertonReview1 October 2008
- Review of *The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry*, by David BrooksReview1 June 2012
- Review of Serious Frolic: Essays on Australian Humour, edited by Fran de Groen and Peter KirkpatrickReview1 May 2011
- Review of *Tasmanian Visions: Landscapes in Writing, Art and Photography*, by Roslynn D. HaynesReview1 October 2010
- Notes on the Early Unpublished Manuscripts of Peter CareyEssay1 October 2010
- Review of *Angus & Robertson and the British Trade in Australian Books, 1930-1970. The Getting of Bookselling Wisdom*, by Jason D. EnsorReview1 October 2014
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- *The Young Cosima*Essay1 May 1970
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Review of *Xavier Herbert* by Laurie ClancyReview1 October 1982
- Interview with Barbara HanrahanEssay1 May 1983
- The Whirligig and FurphyEssay1 May 1976
- Poetry into Life, Life into Poetry: Judith Wright and the AcademyEssay1 May 1979
- Australian Poems on European PaintingsEssay1 June 1991
- True Tales and False Alike Work by Suggestion: The Poetry of A.D. HopeEssay1 October 1990