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- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging PhantomsEssay1 October 2004
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Annual Bibliography of Studies in Australian Literature: 2006Essay1 May 2007
- Review by Martin DuwellReview1 May 1991