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Brereton, the *Bulletin*, and A.G. Stephens

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Tainted Testimony : The Khouri Affair

Counter-Poetics

The ‘Hollowness’ of English? A Case for Narratology

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Books as Gifts: The Meaning and Function of a Personal Library

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Interview with David Malouf

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**