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How Australia’s Literary History Might be Written

The Fortunate Flâneuse

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Impossible Literary Histories

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Boundary Crossing: The Novels of David Foster

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Still Life: Art and Nature in Vivian Smith’s Poetry

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Neither Here Nor There: Suburban Voices in Australian Poetry

Origin, Identity and the Body in David Malouf’s Fiction

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

The Artful Man: Theory and Authority in Brian Castro’s Fiction

About Face: Asian-Australians at Home