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- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- The Usable Past: Australian War Fiction of the 1950sEssay1 October 1985
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- John Tranter: Absence in FlightEssay1 October 1986
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Alan SeymourEssay1 May 1974
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- An Absence of PartisanshipReview1 May 1997
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- The Telling of Marmel’s StoryEssay1 June 2009
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005