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- Review of *Barbara Hanrahan: A Biography*, by Annette StewartReview1 October 2010
- Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’Essay1 May 1981
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Review of *Christina Stead: A Life of Letters* by Chris Williams, *Christina Stead* by Diana Brydon, *Christina Stead* by Susan Sheridan, and *Christina Stead's Heroine: The Changing Sense of Decorum* by Kate Macomber SternReview1 May 1990
- The New Dreamtime : Kath Walker in Australian LiteratureEssay1 May 1973
- ‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*Essay1 May 1992
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Oodgeroo: A Pioneer in Aboriginal EducationEssay1 November 1994
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Review of *Christina Stead: A Biography*, by Hazel RowleyReview1 May 1994
- Oodgeroo as Friend and ArtistEssay1 November 1994
- Review of *Rosa! Rosa!: A Life of Rosa Praed, Novelist and Spiritualist*, by Patricia ClarkeReview1 May 2001
- Review of *The Devil and James McAuley*, by Cassandra PybusReview1 May 2000
- Mansfield and Richardson: A Short Story DialecticEssay1 October 1983
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Review of *Ours As We Play It: Australia Plays Shakespeare*, by Kate FlahertyReview1 May 2012
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002