Your search for “ruth” found 152 results
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- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013
- Research in Progress in Australian Literature [1965]Essay1 December 1965
- John Manifold: Poet At CambridgeEssay1 May 1988
- Review of *Frank Hardy and the Literature of Commitment*, edited by Paul Adams and Christopher LeeReview1 May 2005
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Christina Stead: A ChecklistEssay1 October 1980
- The Poetemics of Oodgeroo of the Tribe NoonuccalEssay1 November 1994
- The New Dreamtime : Kath Walker in Australian LiteratureEssay1 May 1973
- Introduction: Writing Disability in AustraliaEssay23 May 2022
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- ‘Tribute’: An Unknown Poem by Mary GilmoreEssay1 October 2012
- The Public Image of John Shaw NeilsonEssay1 May 1986
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004