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- *Geoffry Hamlyn* Through Contemporary EyesEssay1 December 1966
- Authors’ Statements [Kylie Tennant]Essay1 October 1981
- Gardens of Empire, Eden and Passion in Charlotte Wood’s The Submerged CathedralEssay1 November 2014
- Authors’ Statements [Thelma Forshaw]Essay1 October 1981
- The Date of Composition of *Ralph Rashleigh*Essay1 October 1974
- Short NoticesReview1 October 1971
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Anna Maria Murray, Authoress of *The Guardian*Essay1 October 1967
- Miles Franklin - An Unpublished Teenage NovelEssay1 May 1977
- Don’o KimEssay1 October 1977
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- *The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’Essay1 May 1994
- Review of *On Dearborn Street* by Miles FranklinReview1 May 1982
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017