Your search for “christina” found 230 results
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- Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa PetersenReview1 May 2003
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Research in Progress in Australian Literature [1981]Essay1 May 1981
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Research in Progress in Australian Literature [1975]Essay1 October 1975
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Ocean of StoryEssay1 October 1981
- Research in Progress in Australian Literature [1983]Essay1 October 1983
- Review of *Christina Stead: A Biography*, by Hazel RowleyReview1 May 1994
- Interview with Christina SteadEssay1 October 1980
- Christina Stead: An InterviewEssay1 May 1974
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- Romance Australia: Love in Australian Literature of ExplorationEssay1 October 1987
- Review of *Hearts and Minds: Creative Australians and the Environment*, by Michael Pollak and Margaret MacNabbReview1 May 2001
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Lawrence of Arabia and H.H. RichardsonEssay1 May 1983