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- IntroductionEssay31 October 2015
- Review of *Australia on the Popular Stage: 1829-1929* by Margaret WilliamsReview1 May 1984
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Review of *Rosa! Rosa!: A Life of Rosa Praed, Novelist and Spiritualist*, by Patricia ClarkeReview1 May 2001
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- Review of *Prosthetic Gods: Travel, Representation and Colonial Governance*, by Robert DixonReview1 May 2004
- Lawson, the *Bulletin* and the Short StoryEssay1 May 1983
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- Research in Progress in Australian Literature [1983]Essay1 October 1983
- Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole FerrierReview1 October 1987
- Review of *Courage a Grace: A Biography of Dame Mary Gilmore* by W.H. Wilde, and *Martin Boyd: A Life* by Brenda NiallReview1 May 1989
- Review of books by Randolph Bedford, Eric Drayton Davis, Harry F. Chaplin and Robert D. FitzgeraldReview1 May 1978