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- Oodgeroo in ChinaEssay1 November 1994
- A Mate in PublishingEssay1 November 1994
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- My Brilliant Career and RadicalismEssay1 October 2002
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- Interview with Randolph StowEssay1 May 1982
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- *His Natural Life* and Its SourcesEssay1 May 1971
- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Shaw Neilson’s PoetryEssay1 December 1966
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004