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- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016
- *His Natural Life* and Its SourcesEssay1 May 1971
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- How Australia’s Literary History Might be WrittenEssay1 May 1983
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- A Critical Review of Writings on The Vocabulary of Australian EnglishEssay1 December 1963
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- The Radiant Dream : Notes on Henry KendallEssay1 October 1969
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971