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Review of *Playing Australia: Australian Theatre and the International Stage*, edited by Elizabeth Schafer and Susan Bradley Smith

Review of *The Censor's Library: Uncovering the Lost History of Australia's Banned Books*, by Nicole Moore

Repetition and Menace in Hal Porter’s ‘The Tower’

Some Major Themes in the Novels of Katharine Susannah Prichard

Indigenous Sovereignty in the Poetry of Romaine Moreton

Miles Franklin and ‘The Survivors’

Introduction: Writing Disability in Australia

Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*

Olivia and Chloe: Fictions of Female Friendship

The Drama of the Separate Self in Rae Desmond Jones’ The Mad Vibe

Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*

Review of *The Portrayal of Women in the Fiction of Henry Handel Richardson*, *Gender, Politics and Fiction. Twentieth Century Australian Women's Novels*, *Dictionary of the Australian Theatre. 1788-1914*, *Henry Handel Richardson: a Critical Study*

A Christina Stead Letter

The Getting of Wisdom : Not ‘Merry’ at All

How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Lawler’s Demythologizing of the Doll: Kid Stakes and Other Times

Vance Palmer and the Unguarded Awareness

The Palmer Abridgement of ‘Such is Life’

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind