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- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- The Solitariness of Alex MillerEssay1 May 2004
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998