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Introduction: Why Pastoral?

The Original Nosey Alf

‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69

A.D. Hope’s ‘The Double Looking Glass’: A Reading

Charles Harpur’s ‘Midsummer Noon’: A Structuralist Approach

Country Poetry and Town Poetry: A Debate

Convict Legends, Australian Legends: Price Warung, the Palmers and Others, 1927-1970

The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]

The Language of Music: Helen Garner’s *The Children’s Bach*

Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*

Australian Criticism in ‘Transition’

Oodgeroo in China

A Mate in Publishing

‘The Folds of Unseen Linen’: The Fabric of Rosemary Dobson’s Poetry

Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial History

‘Things are Cast Adrift’: Brian Castro’s Fiction

Three-Dimensionality and *My Brother Jack*

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

*The Scent of Eucalyptus*: Gothic Autobiography

Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis Borges