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God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

Discoveries and Transformations: Aspects of David Malouf’s Work

A New Map of Australia: The Plays of David Williamson

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Truth beyond the Language Game: The Poetry of Gwen Harwood

Narrative Perspective and Cultural History in *Robbery Under Arms*

The Structure of Frederic Manning’s War Novel *Her Privates We*

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

An Absence of Partisanship

Randolph Stow’s *Outrider* and the French Voyager Poem

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Excavating a Bonanza: Sarah Campion

Dorothy Hewett’s Faith in Doubt