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History and Fiction in Rolf Boldrewood’s *The Miner’s Right*

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

In His Own Sweet Time: Carmen’s Coming Out

The Literary Reputation of Adam Lindsay Gordon

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

The Eco-Humanities as Literature: A New Genre?

Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*

**Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**

Review by Julian Croft

The Drama of the Separate Self in Rae Desmond Jones’ The Mad Vibe

A Lady’s Letter from London: 1873-1908

Annual Bibliography of Studies in Australian Literature : 1963

The Language of Australian Literature

A Checklist of Kenneth Mackenzie’s Works