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Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

The Sites of War in the Fiction of Thomas Keneally

Drama’s Vitallest Expression: The Fiction of Olga Masters

Gender and Genre in Barbara Baynton’s *Human Toll*

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Centre of Fierceness: Francis Webb’s Vision of the Artist

Some Mary Gilmore Letters

Marcus Clarke’s *Chidiock Tichbourne*

‘The Orange Tree’ and the Limitations of Poetry

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

Louisa and Henry and Gertie and the Drover’s Wife

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Dramatising the Self: Beverley Farmer’s Fiction

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

The Solitariness of Alex Miller

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts