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- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Annual Bibliography of Studies in Australian Literature: 2007Essay1 October 2008
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Interview with David MaloufEssay1 May 2010
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021