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- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Out of Context: A Study of Thomas Keneally’s NovelsEssay1 May 1969
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- Treating Dora in *His Natural Life*Essay1 May 2003
- Society of Women Writers 1925-1935Essay1 May 2004
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- The Drowned World of Kenneth SlessorEssay1 May 2001
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013