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- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- An Absence of PartisanshipReview1 May 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- The Fiction of Gabrielle LordEssay1 October 1999
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007